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"Concerning Hobbits" is a piece by composer Howard Shore derived from The Lord of the Rings: The Fellowship of the Ring soundtrack.It is a concert suite of the music of the Hobbits, arranged from the music heard in the film during the early Shire scenes, and features the various themes and leitmotifs composed for the Shire and Hobbits; it is intended to evoke feelings of peace. [1]
The series music became the most successful of Shore's career, earning three Oscars, two Golden Globes, and three Grammys, among other nominations. Some of his themes or leitmotifs (like the Shire theme) became individually popular. The music has attracted the interest of musicologists and Tolkien scholars. It is performed by choirs and ...
The music on the disc was arranged as a concert-piece while also keeping reasonably with the plot progression of the film. [3] Many of the cues are edited to create concert suites of some of the themes, such as the Ringwraith theme (in "Black Rider"), the Durin theme (in "Journey in the Dark"), the Rohan theme (in "Riders of Rohan"), and the ...
The music of The Hobbit film series is composed, orchestrated, and produced by Howard Shore, who scored all three The Lord of the Rings films, to which The Hobbit film trilogy is a prequel series. It continues the style of The Lord of the Rings score, using a vast ensemble, multiple musical forms and styles, many leitmotifs, and unusual ...
The music on the album features edited-down compositions and is presented in chronological order as heard in the theatrical film, with the exception of some cues in "Amon Hen" and the end credits mix from "The Breaking of the Fellowship". Some cues are based on earlier drafts of the composition, written as the film was being edited.
The Danish Tolkien Ensemble has set all the songs in Tolkien's The Lord of the Rings to music.. The music of Middle-earth consists of the music mentioned by J. R. R. Tolkien in his Middle-earth books, the music written by other artists to accompany performances of his work, whether individual songs or adaptations of his books for theatre, film, radio, and games, and music more generally ...
The tin whistle in its modern form is from a wider family of fipple flutes which have been seen in many forms and cultures throughout the world. [2] In Europe, such instruments have a long and distinguished history and take various forms, of which the most widely known are the recorder, tin whistle, Flabiol, Txistu and tabor pipe.
The musicologist Doug Adams comments that "Like all Shore's music for the hobbits, this song is designed to feel as if it could be both about the Shire and from it—as if it were some sweetly nostalgic song sung at the closing of the Green Dragon [Inn] each night." [2]
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