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  2. Richard Parncutt - Wikipedia

    en.wikipedia.org/wiki/Richard_Parncutt

    Intriguingly, for most chords multiplicity values are less than the actual number of constituent tones—a prediction that has been validated empirically. [citation needed] Pitch salience is the clarity or prominence of a pitch sensation. The root of a major chord in root position has greater pitch salience than other tones in that chord.

  3. Circular segment - Wikipedia

    en.wikipedia.org/wiki/Circular_segment

    A circular segment (in green) is enclosed between a secant/chord (the dashed line) and the arc whose endpoints equal the chord's (the arc shown above the green area). In geometry, a circular segment or disk segment (symbol: ⌓) is a region of a disk [1] which is "cut off" from the rest of the disk by a straight line.

  4. Chord diagram - Wikipedia

    en.wikipedia.org/wiki/Chord_diagram

    A chord diagram may refer to: Chord diagram (music) , a diagram showing the fingering of a chord on a guitar or other fretted musical instrument Chord diagram (information visualization) , a diagram showing a many-to-many relationship between objects as curved arcs within a circle

  5. Chordal space - Wikipedia

    en.wikipedia.org/wiki/Chordal_space

    For example, the proximity of the C major and e minor chords reflects the fact that the two chords share two common tones, E and G. Moreover, one chord can be transformed into another by moving a single note by just one semitone: to transform a C major chord into an E minor chord, one need only move C to B.

  6. Neo-Riemannian theory - Wikipedia

    en.wikipedia.org/wiki/Neo-Riemannian_theory

    Starting from the symmetrical chords, otonal chords flatten one note, while utonal chords sharpen one note, as observed by Richard Cohn. Neo-Riemannian theory is a loose collection of ideas present in the writings of music theorists such as David Lewin, Brian Hyer, Richard Cohn, and Henry Klumpenhouwer.

  7. Upper structure - Wikipedia

    en.wikipedia.org/wiki/Upper_structure

    Determining which additional pitches can be juxtaposed with the chord is achieved by considering the relationship between a particular chord and the scale it implies. An example follows: The chord C 13 ♭ 9 ♯ 11 contains the following notes, from the root upwards: C, E, G, B ♭, D ♭, F ♯, A;

  8. Chord (geometry) - Wikipedia

    en.wikipedia.org/wiki/Chord_(geometry)

    Equal chords are subtended by equal angles from the center of the circle. A chord that passes through the center of a circle is called a diameter and is the longest chord of that specific circle. If the line extensions (secant lines) of chords AB and CD intersect at a point P, then their lengths satisfy AP·PB = CP·PD (power of a point theorem).

  9. Intersecting chords theorem - Wikipedia

    en.wikipedia.org/wiki/Intersecting_chords_theorem

    The value of the two products in the chord theorem depends only on the distance of the intersection point S from the circle's center and is called the absolute value of the power of S; more precisely, it can be stated that: | | | | = | | | | = where r is the radius of the circle, and d is the distance between the center of the circle and the ...