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In fashion, the word "cape" usually refers to a shorter garment and "cloak" to a full-length version of the different types of garment, though the two terms are sometimes used synonymously for full-length coverings. A shoulder cape is thus sometimes called a "capelet". The fashion cape does not cover the front to any appreciable degree.
The French cloak was quite the opposite of the Dutch and was worn anywhere from the knees to the ankle. It was typically worn over the left shoulder and included a cape that came to the elbow. It was a highly decorated cloak. The Spanish cloak or cape was well known to be stiff, have a very decorated hood and was worn to the hip or waist.
Gowns were worn early in the period, but fell out of fashion in the 1620s. Short cloaks or capes, usually hip-length, often with sleeves, were worn by fashionable men, usually slung artistically over the left shoulder, even indoors; a fashion of the 1630s matched the cape fabric to the breeches and its lining to the doublet. Long cloaks were ...
French fashion plate shows an evening cape or manteau with a fur collar and shoulder cape, worn over dark formal breeches and double-breasted coat, 1823. V. A. Perovsky wears trousers with foot straps and embroidered suspenders, white shirt and a sun hat, 1824.
The camel cape that will hit J.C. Penney's stores this month draws inspiration from a smattering of influences, ... London streetwear, and the runway shows from last winter's New York Fashion ...
In full evening dress in the Western countries, ladies and gentlemen frequently use the cloak as a fashion statement, or to protect the fine fabrics of evening wear from the elements, especially where a coat would crush or hide the garment. Opera cloaks are made of quality materials such as wool or cashmere, velvet and satin.
A 1903 fashion plate of an Ulster, showing how the forearms can be brought under the cape. The Ulster is a Victorian working daytime overcoat, with a cape and sleeves. The Ulster is distinguished from the Inverness coat by the length of the cape. In the Ulster, the cape only reaches just past the elbows, allowing free movement of the forearms.
He set up a studio in Cape Town while he was still in his 20s. When Margaret Gardiner became Miss South Africa, Arendz designed her ball gown for the Miss Universe contest, which she won. [2] His company, Errol Arendz Fashion Designer cc, was incorporated in 1986. [1]
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