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Where Do Broken Hearts Go (One Direction song) Where Have You Been (All My Night) Who Are You (Fifth Harmony song) Y. You & I (One Direction song) You're Drunk, Go Home
Inspired by the Eskimo shaman Oogruk, Russel Susskit takes a dog team and sled to escape the modern ways of his village and to find his own "song" of himself, hating the sound of snowmobiles and his father's coughing in the morning.
The musical opened on Broadway on May 26, 1964 at the Mark Hellinger Theatre, and closed on April 17, 1965, after 274 performances and six previews.Directed by George Abbott and choreographed by Ernest Flatt, the cast included Carol Burnett as Hope Springfield, Dick Patterson as Rudolf, Lou Jacobi as Lionel Z. Governor, Jack Cassidy as Byron Prong, and Tina Louise as Gloria Currie.
"Go!" is a song by English post-punk band Tones on Tail. The song was initially a hit in dance clubs but made a number of appearances in popular culture in later years. In 1990, American electronic musician Moby used a sample of it in his 1990 dance hit of the same title .
The album received a Grammy Award nomination for Best Jazz Instrumental Performance. [4]In a review for AllMusic, Chris Slawecki wrote: "Always inventive, curious, daring, and exuberant, Garrett's Songbook proves him worthy of the alto legacy that most people... seem to agree he carries, as he demonstrates what sounds like the uncanny ability to play two-faced -- one face looking forward to ...
I wonder what will happen with Love Potion No. 10." The CD features the single version of the song which concludes by repeating the verse "But when I kissed the cop at 34th and Vine, he broke my little bottle of Love Potion No. 9." "Party Doll" by Buddy Knox: fades out earlier than the original version during the final chorus.
"Go West" is a song by American disco group Village People, released in June 1979 by Casablanca Records as the second single from their fourth studio album of the same name (1979). The song was written by Jacques Morali , Henri Belolo and lead singer Victor Willis , while Morali produced it.
The book opens with a warning that it will "put bad songs into your head" (or at least wake up the ones that are dormant), [2] and suggests that it instead be given to your enemies as a potent psychological weapon. This kind of hyperbole is also found in the book's criticism of cheesy or overly sappy lyrics, and is a hallmark of Barry's writing ...