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In chapter 23, Job again ponders on the possible legal case against God (verses 1–7), but he is terrified on the prospect of facing God, which he desperately seeks but cannot see (verses 8–9), yet he believes God knows all Job's way and will complete the purposes in Job's life (verses 10–14), so Job testifies that he both is longing and ...
Job and His Friends by Ilya Repin (1869) The Hebrew Book of Job is part of Ketuvim ("Writings") of the Hebrew Bible. Not much is known about Job based on the Masoretic Text. The characters in the Book of Job consist of Job, his wife, his three friends (Bildad, Eliphaz, and Zophar), a man named Elihu, God, and angels.
(verse 6), whereas their garment was taken in pledge for a loan (verses 7, 10a; picking up the detail of Eliphaz's speech in Job 22:6b), leaving them naked, hungry, and thirsty, but nonetheless forced to work, carrying sheaves and making olive oil and wine (verses 10–11); in summary, people (cf. Job 11:3) 'groan under their oppression' (cf ...
A scroll of the Book of Job, in Hebrew. The Book of Job consists of a prose prologue and epilogue narrative framing poetic dialogues and monologues. [4] It is common to view the narrative frame as the original core of the book, enlarged later by the poetic dialogues and discourses, and sections of the book such as the Elihu speeches and the wisdom poem of chapter 28 as late insertions, but ...
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J.B. is a 1958 play written in free verse by American playwright and poet Archibald MacLeish, and is a modern-day retelling of the story of the biblical figure Job.The play is about J.B. (a stand-in for Job), a devout millionaire with a happy domestic life whose life is ruined.
The Book of Job was an important influence upon Blake's writings and art; [11] Blake apparently identified with Job, as he spent his lifetime unrecognized and impoverished. Harold Bloom has interpreted Blake's most famous lyric, The Tyger , as a revision of God's rhetorical questions in the Book of Job concerning Behemoth and Leviathan. [ 12 ]
The lament complements Job's initial cry (verses 1–10) with a series of rhetorical questions: posing an argument that because he was born (verse 10), the earliest chance he had of escaping this life of misery would have been to be still born (verses 11–12, 16), whereas in verses 13–19 Job regards death as 'falling into a peaceful sleep in ...