Search results
Results from the WOW.Com Content Network
Floating into the Night is the debut studio album by American singer Julee Cruise. It was released on September 12, 1989, by Warner Bros. Records , and features compositions and production by Angelo Badalamenti and film director David Lynch .
Born in Creston, Iowa, Julee Ann Cruise was the daughter of John Cruise, the town dentist, and Wilma Cruise, who was his office manager. [5] [6] She studied French horn at Drake University [7] and performed as a singer and actress in Minneapolis with the Children's Theater Company [8] (notably in the role of Jinjur in stage adaptations of L. Frank Baum's Oz books).
"Rockin' Back Inside My Heart" is a song by American singer, songwriter and actress Julee Cruise, released in 1990 as the second single from her debut album, Floating into the Night (1989). It was released on Warner Bros. Records.
Julee Cruise, whose gorgeous collaborations with David Lynch elevated projects such as “Blue Velvet” and “Twin Peaks,” has died at 65 years old. Her husband, Edward Grinnant, revealed the ...
Julee Cruise, whose ethereal singing could conjure both nostalgic innocence and a menacing present, making her an ideal musical collaborator for David Lynch and the Twin Peaks director’s go-to ...
"Falling" is a song by American dream pop singer Julee Cruise. It is the lead single and second track from her debut studio album, Floating into the Night (1989). Featuring music composed by Angelo Badalamenti and lyrics written by David Lynch, an instrumental version of "Falling" was used as the theme song for the ABC television series Twin Peaks and its Showtime revival.
Cruise's association with Lynch and Angelo Badalamenti defined her career, providing her with her breakthrough hit, 'Falling.' Julee Cruise, 'Twin Peaks' singer and David Lynch collaborator, dies ...
[7] Retrospectively, AllMusic critic Ned Raggett summarized it as "a continuation more than anything else" of Cruise's debut album Floating into the Night, finding that it "stands alone just fine" as "another mysterious, dreamy float through a hazy post-'50s/post-punk mood zone." [1]