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Xtabay subverts the traditional meaning of the ceiba tree since she hides behind it to lure her victims to their doom. [7] It said in the legend that the ceiba roots are where all the men the Xtabay has taken from earth go and that not a single one has ever returned from them. [ 7 ]
Female evil spirits or malicious monsters in folklore, legends, and mythology. These monstrous women are often portrayed as predatory creatures, who are usually seen seducing male humans or snatching young children in order to kill, eat, or otherwise harm them.
The Krasue (Thai: กระสือ, pronounced [krā.sɯ̌ː]) is a nocturnal female spirit of Southeast Asian folklore.It manifests as the floating, disembodied head of a woman, usually young and beautiful, with her internal organs still attached and trailing down from the neck.
Akhkhazu, also known as Ahhazu, is a female demon of jaundice from the Akkadic mythology that was later adopted by Babylonian mythology. Her Sumerian name is Dimme-kur. She is also called "the seizer". She brings fever and plagues and is a member of a trio of female demons (Labasu, Labartu, Akhkhazu). [1]
The demon is a female oni (a kijo) named Momiji (Maple Leaves). The play " Momijigari " was created in the latter half of the Muromachi period , and it is widely believed that there was a legend that was originally used as a material (many legends of demons remain on Mt. Togakushi).
A succubus (pl.: succubi) is a female demon or supernatural entity in folklores who appears in dreams to seduce men, usually through sexual activity. According to some folklore, a succubus needs semen to survive; repeated sexual activity with a succubus will result in a bond being formed between the succubus and the person; and a succubus will ...
The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.
One of the recurring elements in Indian art, often found as gatekeepers in ancient Buddhist and Hindu temples, is a yakshini with her foot on the trunk and her hands holding the branch of a stylized flowering ashoka or, less frequently, other tree with flowers or fruits.