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Phantom power is sometimes used by workers in avionics to describe the DC bias voltage used to power aviation microphones, which use a lower voltage than professional audio microphones. Phantom power used in this context is 8–16 volts DC in series with a 470 ohm (nominal) resistor as specified in RTCA Inc. standard DO-214. [19]
SSL SL9000J (72 channel) console at Cutting Room Recording Studio, NYC An audio engineer adjusts a mixer while doing live sound for a band.. A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems.
At the time, the F-4 Phantom was just beginning to be exploited to its full potential as a fighter and had not performed as well as expected against the smaller North Vietnamese MiG-17 and MiG-21 opponents. TOPGUN introduced the notion of dissimilar air combat training (DACT) using modified A-4E/Fs. Modified aircraft, called "Mongoose", lost ...
An electronic mixer is a device that combines two or more electrical or electronic signals into one or two composite output signals. There are two basic circuits that both use the term mixer , but they are very different types of circuits: additive mixers and multiplicative mixers.
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A digital mixer may solve this problem: a sound operator can operate the whole sound system from a laptop computer. With the proper set-up, it can even be done by a wireless tablet for increased mobility. In fact, many of the digital mixer's functions are easier to operate from a computer screen than the actual mixing console.
The output from a DJ mixer is typically plugged into a sound reinforcement system or a PA system at a dance, rave, nightclub or similar venue or event. The sound reinforcement system consists of power amplifiers which amplify the signal to the level that can drive speaker enclosures, which since the 1980s typically include both full-range speakers and subwoofers for the deep bass sounds.
In music recording, mix automation allows the mixing console to remember the audio engineer's adjustment of faders during the post-production editing process. A timecode is necessary for the synchronization of automation.
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