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Before 1928, the hymn was sung to a variety of tunes, including "Regent Square" by Henry Smart, "Lewes" by John Randall, and "Wildersmouth" or "Feniton Court" by Edward Hopkins. [1] In the United Kingdom the hymn has nowadays come to be sung invariably to the same tune as the original French carol, "Iris" [ 3 ] (as published in the Oxford Book ...
While originally an unaccompanied plainsong melody, the hymn is now commonly sung to either the tune of "Westminster Abbey", adapted from the final section of Henry Purcell's anthem "O God, Thou Art My God'" Z35; or the tune of "Regent Square", composed by Henry Smart. The texts of modern versions of the hymn vary substantially from Neale's ...
Harry Emerson Fosdick greatly admired "Regent Square", and wrote his own "God of Grace and God of Glory" specifically in the hope that it would be generally sung to that tune. He was horrified when, in 1935, The Methodist Hymnal instead set the lyrics to John Hughes ' " Cwm Rhondda ".
Regent Square (hymn tune), a hymn tune written by Henry Smart This page was last edited on 17 March 2021, at 08:34 (UTC). Text is available under the Creative ...
tune: Michael Praetorius (1571–1621) written originally to the lyrics of Lo, How a Rose E'er Blooming. 1599 "Angels from the Realms of Glory" lyrics: James Montgomery; music: Henry Thomas Smart, 1867, to the tune of "Regent Square".
The tune Helmsley is usually attributed to Thomas Olivers, a Welsh Methodist preacher and hymn-writer. [5] Anecdotal stories about the tune's composition suggest Olivers heard the tune whistled in the street and derived his melody from that; the most likely source is an Irish concert song "Guardian angels, now protect me".
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony , a fast harmonic rhythm (chords change frequently), with or without refrain or chorus.
John Goss "Praise, my soul, the King of heaven" is a Christian hymn.Its text, which draws from Psalm 103, was written by Anglican divine Henry Francis Lyte. [1] First published in 1834, it endures in modern hymnals to a setting written by John Goss in 1868, and remains one of the most popular hymns in English-speaking denominations.