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"Driftwood has this wonderful tactile quality and also a bit of an element of mystery: where has it come from, how long has it been in the water, etc.," the artist shared.
Robert Sommer declared the Emeryville mudflats were "the finest public sculpture gallery on the West Coast" in 1975. [22] In 1977, the California Arts Council awarded a $4,393 grant to Richard Reynolds to purchase film for a documentary on the mudflat sculptures, [ 23 ] which was published in 1980.
Nimis was built by driftwood and is made of sparingly nailed together boards and branches which forms pathways, rooms and towers. The construction of Nimis began in July 1980 as Vilks "revenge to the ocean" after having been close to drowning. But also as a comment to the current trend in art where "nothing lasted". [3] [4] [5]
Morrison acknowledged a variety of influences in his art, including cubism, surrealism, and abstract expressionism. In his drawings and paintings, Morrison used abstract forms to represent organic figures. Morrison commonly used landscapes and mosaic patterns in his paintings. For his wood collages, Morrison would gather driftwood along shorelines.
Correnteza (2018) at the National Gallery of Art in 2023 Gomes combines secondhand textiles with everyday materials, such as driftwood, wire, and furniture to create abstract sculptures. Her compositions stem from a spontaneous and casual practice of deconstructing and re-assembling everyday objects; Lágrima (Tear) (2014), for example, was ...
Louise Nevelson (September 23, 1899 – April 17, 1988) was an American sculptor known for her monumental, monochromatic, wooden wall pieces and outdoor sculptures.Born in the Poltava Governorate of the Russian Empire (present-day Kyiv Oblast, Ukraine), she emigrated with her family to the United States in the early 20th century.
He enjoyed crafting “found art” made from carburetors, jacks, flotsam, driftwood and more, often gifting smaller works to friends. [1] His installation, Totems Suburbium (1962), used the undersides of five sink basins, each mounted on timber poles to create a line of watchful sentinel-like figures.
For the Minneapolis Public Library building at 300 Nicollet Mall Rood created a 27 foot high, 13 ton art piece titled The Scroll. The building housed the library from 1961 to 2002 [16] and this piece of art was for its opening and was commissioned in 1959. It is an S-shaped scroll consisting of 54 sheets of copper and bronze.
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