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Plato relies, further, on the view that the soul is a mind in order to explain how its motions are possible: Plato combines the view that the soul is a self-mover with the view that the soul is a mind in order to explain how the soul can move things in the first place (e.g., how it can move the body to which it is attached in life). [10]
Plato uses this observation to illustrate his famous doctrine that the soul is a self-mover: life is self-motion, and the soul brings life to a body by moving it. Meanwhile, in the recollection and affinity arguments, the connection with life is not explicated or used at all.
Anthony Slide noted that The Charioteer was a bestseller within the gay community. [1] Michael Bronski called the novel "an outright plea for the tolerance of homosexuals" and praised it as "sincere and well-written." [8] The Charioteer was not ranked among the top 100 gay and lesbian novels compiled by The Publishing Triangle in 1999. However ...
Plato's most famous work is the Republic, which is a Socratic dialogue that outlines justice as it relates to the order and character of a just city or state as well as the just man. Another of ...
In Plato's dialogues, we find the soul playing many disparate roles. Among other things, Plato believes that the soul is what gives life to the body (which was articulated most of all in the Laws and Phaedrus) in terms of self-motion: to be alive is to be capable of moving yourself; the soul is a self-mover. He also thinks that the soul is the ...
Like the Neo-Platonists, however, Tennemann argued at length that Plato did have a 'secret' or 'esoteric philosophy.' [64] Drawing on the criticism of writing in Plato's Phaedrus and the Seventh Letter attributed to Plato, Tennemann asserted Plato had both practical and philosophical reasons for withholding his 'unwritten doctrines.' [65 ...
His character in Plato, along with the ill-fated implications of his oncoming exile, has long exerted influence on literature and philosophy. Among the ancients, Alexis' mid-late 4th century comedic play Phaedrus depicts a man philosophizing on the nature of eros, [1] while Diogenes Laërtius assumes Phaedrus to be Plato's "favorite" individual ...
In Plato's dialogues, the soul plays many disparate roles. Among other things, Plato believes that the soul is what gives life to the body (which was articulated most of all in the Laws and Phaedrus) in terms of self-motion: to be alive is to be capable of moving oneself; the soul is a self-mover. He also thinks that the soul is the bearer of ...