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Examples of hostile architecture circulating within UK media have led to negative reception. Nonetheless, types of hostile architecture have increased. For example, Selfridges in Manchester installed metal spikes outside their store for the purpose of reducing "litter and smoking," which suggests hostile architecture may be implicated for one ...
The Camden bench received criticism as being a prime example of a wider trend of urban design that is anti-homeless, known as hostile architecture. [6] Critics claim it is emblematic of a society where freedom in public space has been curtailed and deviance from accepted forms of behaviour has been made impossible. [7]
Australian architectural styles; Baroque architecture; Bauhaus; Berlin style 1990s+ Biedermeier 1815–1848; Blobitecture 2003–present; Bowellism 1957–present; Brick Gothic c. 1350 – c. 15th century; Bristol Byzantine 1850–1880; Brownstone; Brutalist architecture 1950s–1970s; Buddhist architecture 1st century BC; Byzantine ...
Skatestoppers are skate-deterrent or anti-skate devices placed on urban terrain features, such as benches and handrails, to discourage skateboarders from grinding on the surfaces where they have been installed. [1] They are a form of hostile architecture. [1]
Deconstructivism came to public notice with the 1982 Parc de la Villette architectural design competition, in particular the entry from Jacques Derrida and Peter Eisenman [3] and the winning entry by Bernard Tschumi, as well as the Museum of Modern Art’s 1988 Deconstructivist Architecture exhibition in New York, organized by Philip Johnson and Mark Wigley.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
The Seven Lamps of Architecture is an extended essay, first published in May 1849 and written by the English art critic and theorist John Ruskin. The 'lamps' of the title are Ruskin's principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice. [1]
The style originated with Michael Webb's 1957 student project for a Furniture Manufacturers Association building in High Wycombe. [2] [3] [4] Webb coined the term in response to a comment on his design by Sir Nikolaus Pevsner in a 1961 lecture, in which he recalled hearing the words: "within the schools there are some disturbing trends; I saw the other day a design for a building that looked ...