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Paul Hindemith aged 28. ... Sonata for Oboe and Piano (1938) Sonata for English Horn and Piano (1941) ... (IMSLP) This page was last edited on 28 ...
Paul Hindemith (/ ˈ p aʊ l ˈ h ɪ n d ə m ɪ t / POWL HIN-də-mit; German: [ˌpaʊ̯l ˈhɪndəmɪt] ⓘ; 16 November 1895 – 28 December 1963) was a German and American composer, music theorist, teacher, violist and conductor.
He was the first to perform Hindemith's three piano sonatas of 1936 in the UK, on Wednesday 1 June 1938 at the Wigmore Hall. [5] He also played with the violinist Carl Flesch . [ 6 ] [ 7 ] With the violinist Maria Lidka and the cellist Christopher Bunting he formed the Reizenstein Trio, and he also performed with two émigré violinists, Max ...
A bassoon sonata is a larger-scale work for bassoon, usually with keyboard accompaniment. Most bassoon sonatas are substantial, multi-movement works, often based on Classical sonata form . Bassoon sonatinas , by comparison, tend to be shorter works, often in a single movement.
Kammermusik (Chamber Music) is the title for eight chamber music compositions by Paul Hindemith.He wrote them, each in several movements, during the 1920s.They are grouped in three opus numbers: Op. 24, Op. 36 and Op. 46.
Adagio (from Violin Sonata in F major, HWV 370) (transcr. Kell) Brooks Smith, piano 1957, DL 9926 Handel Allegro (from Oboe Sonata in F major, HWV 363a) (transcr. Kell) Brooks Smith, piano 1957, DL 9926 Hindemith: Sonata for Clarinet and Piano in B ♭ Joel Rosen, piano 1951, DL 9570 Kreisler: Rondino uber ein Thema von Beethoven Brooks Smith ...
Opening (Play ⓘ) and second to last (Play ⓘ) measures of the piece.From the first and final movements, respectively. Ludus Tonalis ("Play of Tones", "Tonal Game", or "Tonal Primary School" after the Latin Ludus Litterarius), subtitled Kontrapunktische, tonale, und Klaviertechnische Übungen (Counterpoint, tonal and technical studies for the piano), is a piano work by Paul Hindemith that ...
Hin und zurück (Back and forth) is an operatic 'sketch' (Op. 45a) in one scene by Paul Hindemith, with a German libretto by Marcellus Schiffer.It acts as a parody of conventional opera tropes featuring a coloratura ariette, a jealousy duet, and a terzet for the tenor, baritone and bass.
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