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Paul Hindemith aged 28. ... Sonata for Violin and Piano No. 3 in E (1935) Sonata for Violin and Piano No. 4 in C (1939) ... Sonata for Oboe and Piano (1938) ...
Paul Hindemith (/ ˈ p aʊ l ˈ h ɪ n d ə m ɪ t / POWL HIN-də-mit; German: [ˌpaʊ̯l ˈhɪndəmɪt] ⓘ; 16 November 1895 – 28 December 1963) was a German and American composer, music theorist, teacher, violist and conductor.
Caricature of Hindemith playing viola. Hindemith's Op. 24 consists of two works. The first, Kammermusik Op. 24, No. 1, was composed for a 13-piece orchestra. The second, Kleine Kammermusik, Op. 24, No. 2, was for wind quintet. [5] Like Op. 24, Hindemith's Op. 36 also consists of multiple works, Kammermusik Nos. 2–5.
A bassoon sonata is a larger-scale work for bassoon, usually with keyboard accompaniment. Most bassoon sonatas are substantial, multi-movement works, often based on Classical sonata form . Bassoon sonatinas , by comparison, tend to be shorter works, often in a single movement.
Hindemith introduces a non-traditional key signature (G-sharp and F-Sharp only) that sets the music in a whole-tone mode; while the viola does occasionally play runs and phrases with half-steps, the piano persists in the figure G#-F#-E-D, over which the viola builds towards a climax in C-sharp minor, which is the first note of the third movement.
Adagio (from Violin Sonata in F major, HWV 370) (transcr. Kell) Brooks Smith, piano 1957, DL 9926 Handel Allegro (from Oboe Sonata in F major, HWV 363a) (transcr. Kell) Brooks Smith, piano 1957, DL 9926 Hindemith: Sonata for Clarinet and Piano in B ♭ Joel Rosen, piano 1951, DL 9570 Kreisler: Rondino uber ein Thema von Beethoven Brooks Smith ...
The first performance was at the Proms at the Queen's Hall, London, on 3 October 1929; Hindemith was the soloist and the Henry Wood Symphony Orchestra [n 1] was conducted by the composer. [10] Hindemith did not possess an immaculate technique, but played with strong character, a full tone and great emotion. [11]
Trauermusik is a suite for viola and string orchestra, written on 21 January 1936 by Paul Hindemith at very short notice in memory of King George V of the United Kingdom, who died the previous night. The title means "Mourning Music" or "Funeral Music" in English, but the work is always known by its German title.
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