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During the 1930s, Bergman designed and patented two looms: the Bergman Suitcase loom and the Bergman Floor loom. Each loom was designed with unique folding frames that enabled the loom to collapse even when fully warped. Her husband John and son Arthur built looms at their home in Breidablick, near Poulsbo, Washington. Later, a section of a ...
Ada K. Dietz (left) and Ruth E. Foster (right) weaving on Lou Tate Little Looms at the Little Loomhouse, Louisville, KY, circa late 1940s. Ada K. Dietz (October 7, 1888 – January 12, 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines a novel method for generating weaving patterns based on algebraic patterns.
While Akwete women were responsible for weaving, it was the men's duty to construct the looms. [3] There are two types of loom, the horizontal loom used by men and the vertical loom used by women. Traditionally most of the weaving is done on Nkwe looms, the largest looms in Nigeria, by women.
The women of the house would spin the thread they needed, and attend to finishing. Later women took to weaving, they obtained their thread from the spinning mill, and working as outworkers on a piecework contract. Over time competition from the power looms drove down the piece rate and they existed in increasing poverty.
Limited patterns are not, of course, a disadvantage when weaving plainer patterns, such as tabbies and twills. Jack looms (also called single-tieup-looms and rising-shed looms [ 16 ] ), have their treadles connected to jacks, levers that push or pull the heald frames up; the harnesses are weighted to fall back into place by gravity.
She taught herself on how to execute the traditional patterns of binakol, inuritan (geometric design), kusikos (orange-like spiral forms), and sinan-sabong (flowers). [4] She became best known for weaving the sinan-sabong, since it is the most challenging pattern among the four. [5] Gamayo-Rodrigo Duterte 2019
There were two kinds of looms used for weaving, "the foot loom and the back-strap loom. The latter is almost invariably used by women, who attach one end of the loom to a tree or post and fix the other end behind their lower back. For this reason the width of the textile is constrained by what the particular woman can manage.
This allows the weaver to walk back-and-forth while working, so that wider cloth can be woven than is practical on a ground loom. On Ancient Greek vase paintings, two weavers, most often women, are shown working side-by-side on the warp-weighted loom. [9] This is unusual because most other looms require a resting position of standing or sitting.