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Shiva, Chola bronze, 12th-century Chinese wooden Guanyin in "royal ease" pose, Song dynasty Lalitasana is a pose or mudra in Indian art and the art of dharmic religions in other countries. It is often called "the royal position" or " royal ease " in English, and is a relaxed pose typical in royal portraits and those of religious figures whose ...
The charcoal adheres loosely to the paper, allowing very easy erasure, but the final drawing can be preserved using a spray-on "fixative" to keep the charcoal from rubbing off. Harder compressed charcoal can produce a more deliberate and precise effect, and graduated tones can be produced by smudging with the fingers or with a cylindrical paper ...
Both can be seated in the Vajraparyanka (also known as Bhūmisparśa) pose, with the right hand on the right knee, palm turned inwardly, and middle finger touching the ground. [7] [10] [11] Amitābha (Japanese: Amida) is the most ancient Dhyani Buddha, embodying light and facing west, and is the central figure in Pure Land Buddhism.
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The painted bat (Kerivoula picta) or painted wooly bat [2] is a species of vesper bat in the family Vespertilionidae. It is also known as "butterfly bat" ( projapoti badur ), [ 3 ] "rongin chamchika" (coloured bat) or "komola-badami chamchika" (orange-brown bat) in Bengali .
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Black kohl (eye-paint) was applied to protect the eyes, as well as for aesthetic reasons. It was usually made of galena, giving a silvery-black color; during the Old Kingdom, green eye-paint was also used, made from malachite. Egyptian women painted their lips and cheeks, using rouge made from red ochre.