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  2. List of portraits by Frank Weston Benson - Wikipedia

    en.wikipedia.org/wiki/List_of_portraits_by_Frank...

    Benson's daughter Sylvia owned the painting before it was bequeathed to the National Gallery of Art in 1977. [4] SIRIS Collection Number 08600941 [3] Girl in a Red Shawl: oil on canvas: 1890: 32.3 in x 32.3 in (82 cm x 82 cm) The painting is a portrait of girl seated facing left with right hand clasping red shawl at her chest.

  3. Figure drawing - Wikipedia

    en.wikipedia.org/wiki/Figure_drawing

    The charcoal adheres loosely to the paper, allowing very easy erasure, but the final drawing can be preserved using a spray-on "fixative" to keep the charcoal from rubbing off. Harder compressed charcoal can produce a more deliberate and precise effect, and graduated tones can be produced by smudging with the fingers or with a cylindrical paper ...

  4. List of Egyptian hieroglyphs - Wikipedia

    en.wikipedia.org/wiki/List_of_Egyptian_hieroglyphs

    The total number of distinct Egyptian hieroglyphs increased over time from several hundred in the Middle Kingdom to several thousand during the Ptolemaic Kingdom.. In 1928/1929 Alan Gardiner published an overview of hieroglyphs, Gardiner's sign list, the basic modern standard.

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  6. The Taking of Christ (Caravaggio) - Wikipedia

    en.wikipedia.org/wiki/The_Taking_of_Christ...

    The Hands of Caravaggio, an album from 2001 by electro-acoustic improvisation group M.I.M.E.O. was inspired by the painting. The painting was the subject of a special Easter program in 2009 in the BBC series The Private Life of a Masterpiece. Mel Gibson said that the cinematography in The Passion of the Christ aimed to imitate Caravaggio's ...

  7. Portraiture in ancient Egypt - Wikipedia

    en.wikipedia.org/wiki/Portraiture_in_ancient_Egypt

    Nefertiti bust, from the 18th dynasty, New kingdom Egyptian death mask from the 18th dynasty. Louvre, Paris portrait of Meritamun, 19th dynasty of Egypt. Portraiture in ancient Egypt forms a conceptual attempt to portray "the subject from its own perspective rather than the viewpoint of the artist ... to communicate essential information about the object itself". [1]

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