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The Barber of Seville, or The Useless Precaution (Italian: Il barbiere di Siviglia, ossia L'inutile precauzione [il barˈbjɛːre di siˈviʎʎa osˈsiːa liˈnuːtile prekautˈtsjoːne]) is an opera buffa in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini.
Several musical adaptations of Il barbiere di Siviglia predated the version by Paisiello, but Paisiello's comic opera was the first to achieve widespread success. It was subsequently staged in several cities in the years immediately following its premiere, including [1] Vienna, where Il barbiere played at five venues from 1783 until 1804, both in Italian and German, and received nearly 100 ...
The barber paradox is a puzzle derived from Russell's paradox. It was used by Bertrand Russell as an illustration of the paradox, though he attributes it to an unnamed person who suggested it to him. [1] The puzzle shows that an apparently plausible scenario is logically impossible.
Get ready for all of the NYT 'Connections’ hints and answers for #189 on Sunday, December 17, 2023. Connections game on Sunday, December 17 , 2023 The New York Times
Get ready for all of today's NYT 'Connections’ hints and answers for #494 on Thursday, October 17, 2024. Today's NYT Connections puzzle for Thursday, October 17, 2024 The New York Times
The Barber of Seville or the Useless Precaution [1] (French: Le Barbier de Séville ou la Précaution inutile) is a French play by Pierre Beaumarchais, with original music by Antoine-Laurent Baudron. It was initially conceived as an opéra comique , and was rejected as such in 1772 by the Comédie-Italienne .
Largo al factotum" (Make way for the factotum) is an aria (cavatina) from The Barber of Seville by Gioachino Rossini, sung at the first entrance of the title character, Figaro. The repeated "Figaro"s before the final patter section are an icon in popular culture of operatic singing.
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