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The Barber of Seville, or The Useless Precaution (Italian: Il barbiere di Siviglia, ossia L'inutile precauzione [il barˈbjɛːre di siˈviʎʎa osˈsiːa liˈnuːtile prekautˈtsjoːne]) is an opera buffa (comic opera) in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini.
The Barber of Seville (Spanish: El barbero de Sevilla) is a 1938 German-Spanish musical film directed by Benito Perojo and starring Miguel Ligero, Estrellita Castro, and Roberto Rey. [ 1 ] The film's sets were designed by Gustav A. Knauer .
The Barber of Seville or the Useless Precaution [1] (French: Le Barbier de Séville ou la Précaution inutile) is a French play by Pierre Beaumarchais, with original music by Antoine-Laurent Baudron. It was initially conceived as an opéra comique , and was rejected as such in 1772 by the Comédie-Italienne .
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Several musical adaptations of Il barbiere di Siviglia predated the version by Paisiello, but Paisiello's comic opera was the first to achieve widespread success. It was subsequently staged in several cities in the years immediately following its premiere, including [1] Vienna, where Il barbiere played at five venues from 1783 until 1804, both in Italian and German, and received nearly 100 ...
The Barber of Seville was the first cartoon to feature a new character design for Woody Woodpecker, by art director Art Heinemann. [1]In tandem with the use of the new Woody design, The Barber of Seville was the first Woody Woodpecker cartoon to use the standardized opening title card, animated by Hawkins, featuring Woody popping out of a log, asking Guess Who?!, and delivering his trademark ...
The Barber of Seville (French: Le Barbier de Séville) is a 1948 French musical film directed by Jean Loubignac [1] It is a screen version of the 1816 opera by Rossini based on the 1775 play by Beaumarchais (in the translation by Castil-Blaze). [2]
The Barber of Seville (French: Le Barbier de Séville), [3] also released as The Barber of Sevilla, or the Useless Precaution, [2] was a 1904 French silent film directed by Georges Méliès, based on the 1775 play of the same name by Pierre Beaumarchais. [1]