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The shamisen , also known as sangen or samisen (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument sanxian. It is played with a plectrum called a bachi .
The sanshin (三線, lit., "three strings") is an Okinawan and Amami Islands musical instrument and precursor of the mainland Japanese shamisen . Often likened to a banjo , it consists of a snakeskin -covered body, neck and three strings.
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
The kokyū (胡弓) is a traditional Japanese string instrument, the only one played with a bow. A variant of the instrument also exists in Okinawa, called kūchō (胡弓) in Okinawan. The kokyū, like the shamisen, has its origins in Okinawa. Although it is similar to Chinese huqin, it actually came to Okinawa via the rebab from Indonesia and ...
The taishōgoto (大正琴), or Nagoya harp, is a Japanese stringed musical instrument. The name derives from the Taishō period (1912–1926) when the instrument first appeared. It has also become naturalized in East Africa, often under the name Taishokoto. [1] It is essentially a Keyboard Psalmodikon with multiple strings.
However, 琴 (koto) is the general term for all string instruments in the Japanese language, [2] [3] including instruments such as the kin no koto, sō no koto, yamato-goto, wagon, nanagen-kin, and so on. [3] When read as kin, it indicates the Chinese instrument guqin. [4] The term is used today in the same way.
The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794).
Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-on pattern and sometimes do not contain a kireji.