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Jameson categorizes a variety of features of the postmodern. One is the elision of the distinction between high culture and mass culture. [156] Also, because of our loss of a unified "bourgeois ego", subjectivity is less focused, and we experience what he terms a "waning of the affect", an emotional disengagement from the social world. [157]
Postmodernity (post-modernity or the postmodern condition) is the economic or cultural state or condition of society which is said to exist after modernity. [nb 1] Some schools of thought hold that modernity ended in the late 20th century – in the 1980s or early 1990s – and that it was replaced by postmodernity, and still others would extend modernity to cover the developments denoted by ...
Postmodern philosophy is a philosophical movement that arose in the second half of the 20th century as a critical response to assumptions allegedly present in modernist philosophical ideas regarding culture, identity, history, or language that were developed during the 18th-century Age of Enlightenment.
Theories of the Postmodern: 55–66. Surrealism Without the Unconscious: 67–96. Spatial Equivalents in the World System: 97–129. Reading and the Division of Labor: 131–153. Utopianism After the End of Utopia: 154–180. Immanence and Nominalism in Postmodern Theoretical Discourse: 181–259. Postmodernism and the Market: 260–278.
The return to the traditional art forms of sculpture and painting in the late 1970s and early 1980s seen in the work of neo-expressionist artists such as Georg Baselitz and Julian Schnabel has been described as a postmodern tendency, [52] and one of the first coherent movements to emerge in the postmodern era. [53]
For example, according to McEvilly, postmodernism begins with realizing one no longer believes in the myth of progress, and Duchamp sensed this in 1914 when he changed from a modernist practice to a postmodernist one, "abjuring aesthetic delectation, transcendent ambition, and tour de force demonstrations of formal agility in favor of aesthetic ...
The Story of Post-Modernism: Five Decades of the Ironic, Iconic and Critical in Architecture, published in 2011, was the last book by Charles Jencks.Jencks discusses the history of Post-modernism, especially in the fields of art and architecture during the last five decades (since 1960). [1]
It had changed from a society of producers into a society of consumers. According to Bauman, this change reversed the "modern" tradeoff espoused by Freud in his Civilization and Its Discontents, that freedom was given up in exchange for security and order. In Bauman's view of the postmodern society, the 'will to happiness' is a sacrificing of ...