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Mary wears a crown lined by five white and one red roses. She is surrounded by a two golden radiant and glowing circle. The inner ring contains six angles holding the Arma Christi (instruments of the Passion of Jesus): the cross, spear, crown of thorns, tammer and nails, the whip and the a sponge soaked in vinegar. In the outer ring, musical ...
The Pietà is a theme in art depicting the Virgin Mary cradling the dead body of her son, Jesus, after his crucifixion. In Bouguereau's version, Mary is seen wearing a black cloak holding Christ close to her bosom. Eight angels in mourning form an arc around them, each of them dressed in different colors.
Painted for private devotion, it shows a full-length Mary holding Jesus. Mother and son are surrounded by four angels; the two above Mary are adorned with large colourful wings and hold a golden crown, symbolising her role as Queen of Heaven [4] while another two, each bearing large wings, sit on either side of her playing a harp and lute respectively.
Although not originally a religious painting, it was popularized as an image of the Virgin Mary holding her infant son, and has become the most renowned of Ferruzzi's works. The original artwork is believed to be a vertical Sepia painting in a gold gilded frame approximately 27 cm (11 in) high and 21 cm (8.3 in) wide.
In Luke's Gospel, Joseph and Mary travelled to Bethlehem, the family of Joseph's ancestors, to be listed in a tax census; the Journey to Bethlehem is a very rare subject in the West, but shown in some large Byzantine cycles. [2] While there, Mary gave birth to the infant, in a stable, because there was no room available in the inns.
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Michelangelo Buonarotti's Pietà in Saint Peter's Basilica, 1498–1499.Crowned by the Pontifical decree of Pope Urban VIII in 1637.. The Pietà (Italian pronunciation:; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross.