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Noir denotes a marked darkness in theme and subject matter, generally featuring a disturbing mixture of sex and violence. [1]While related to and frequently confused with hardboiled detective fiction—due to the regular adaptation of hardboiled detective stories in the film noir style—the two are not the same. [2]
For instance, critics tend to define the model film noir as having a tragic or bleak conclusion, [194] but many acknowledged classics of the genre have clearly happy endings (e.g., Stranger on the Third Floor, The Big Sleep, Dark Passage, and The Dark Corner), while the tone of many other noir denouements is ambivalent. [195]
Noire, a character in the video game Hyperdimension Neptunia; Cat Noir, the superhero identity of Adrien Agreste in Miraculous: Tales of Ladybug & Cat Noir; Guy Noir, a fictional private detective in A Prairie Home Companion radio show; Jack Noir, a character in the webcomic Homestuck; Madame Noir, a character in the Ressha Sentai ToQger
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
Hardboiled writing is also associated with "noir fiction". Eddie Duggan discusses the similarities and differences between the two related forms in his 1999 article on pulp writer Cornell Woolrich. [13] In his full-length study of David Goodis, Jay Gertzman notes: "The best definition of hard boiled I know is that of critic Eddie Duggan.
Horror noir (sometimes referred to as noir horror or hyphenated as horror-noir; lit. ' black horror ' ) is a film subgenre that blends elements of both horror and noir . It combines the dark, atmospheric qualities of noir with the suspense and fear typical of horror, creating a hybrid genre that integrates aspects of both.
The term black humor (from the French humour noir) was coined by the Surrealist theorist André Breton in 1935 while interpreting the writings of Jonathan Swift. [8] [9] Breton's preference was to identify some of Swift's writings as a subgenre of comedy and satire [10] [11] in which laughter arises from cynicism and skepticism, [8] [12] often relying on topics such as death.
Pulp noir is a subgenre influenced by various "noir" genres, as well as (as implied by its name) pulp fiction genres; particularly the hard-boiled genres which help give rise to film noir. [1] Pulp noir is marked by its use of classic noir techniques, but with urban influences. Various media include film, illustrations, photographs and videogames.