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Jitte can occasionally be found housed in a sword-type case hiding the jitte from view entirely. This type of jitte can have the same parts and fittings as a sword, including seppa, tsuba, menuki, koiguchi, kojiri, nakago, mekugi-ana and mei. Sentan, the blunt point of the main shaft of the jitte. Tsuba, a hand guard present on some types of jitte.
The name Jitte 十手 ("Ten Hands") expresses that mastery of this kata which enables one to fight like ten men. Jitte teaches techniques usable against armed attacks, especially the bo. It consists of 24 movements and should be performed in about 60 seconds. [2] Also known in some styles as Sip Soo. [3]
Lahuta e Malcís (1937) book cover. The Highland Lute (Albanian: Lahuta e Malcís, original and standard language of the time based on Gheg Albanian) is the Albanian national epic poem, completed and published by the Albanian friar and poet Gjergj Fishta in 1937.
The music of Albania (Albanian: Muzika Shqiptare) is associated with the country of Albania and Albanian communities. Music has a long tradition in the country and is known for its regional diversity, from the Ghegs in the North to the Tosks in the South.
Bosniak from Sarajevo with a Šargija, 1906. The šargija (Serbo-Croatian: šargija, шаргија; Albanian: sharki or sharkia), anglicized as shargia, is a plucked, fretted long necked lute used in the folk music of various Balkan countries, including Bosnia and Herzegovina, Serbia, Albania, Kosovo and North Macedonia. [1]
The Albanian Wikipedia (Albanian: Wikipedia Shqip) is the Albanian language edition of Wikipedia started on 12 October 2003. As of 15 January 2025, the Wikipedia has 101,316 articles and is the 73rd-largest Wikipedia.
Tallava or Talava is a music genre originating from Albanian-speaking Roma communities in Kosovo as well as in North Macedonia, with a presence in Albania. [1] [2] [3] Having originated in the Roma community in Kosovo in the 1990s, it evokes regional Balkan musical styles (e.g., microtones, vocal glissando, and certain musical instruments) and has become popular in Albania and North Macedonia. [4]
Settling a Frontier Dispute by Richard Caton Woodville, 1880.. The main theme of the cycle is the brave warfare between the Albanian heroes (Albanian: kreshnikë or trima, and aga), who have supernatural strength and an extremely large body holding ordinary family lives, and opposing Slavic warriors (Albanian: shkje and krajla), who are likewise powerful and brave, but without besë.