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The cue light is a system of one or more light bulbs, controlled by the stage managers using a switch the same way that they would call audio cues over the headset. The cue lights usually use traffic light colours: a solid red light indicates a 'warning' cue; an optional yellow light or a flashing red light indicates "standby"; a green light ...
Actors who whistled could confuse them into changing the set or scenery at the wrong time and this could result in injury or death, especially if they were flying set or backdrops in or out. In today's theatres, the stage crew normally uses an intercom or cue light system. [11]
A lighting control console (also called a lightboard, lighting board, or lighting desk) is an electronic device used in theatrical lighting design to control multiple stage lights at once. They are used throughout the entertainment industry and are normally placed at the front of house (FOH) position or in a control booth .
The light plot is typically a plan view of the theatre where the performance will take place, with every luminaire marked. This typically specifies the approximate lighting focus and direction, a reference number, accessories, the address number (assigned DMX addresses) in the dimmer system and channel on the lighting control console. [16]
Notes or cue cards, on the other hand, require the presenter to look at them instead of at the lens, which can cause the speaker to appear distracted, depending on the degree of deflection from the natural line of sight to the camera lens, and how long the speaker needs to glance away to glean the next speaking point; speakers who can ...
A public address system so that the stage manager and deputy stage manager (normally the person calling the show) can make announcements, or give calls, to the foyer ('front of house'), auditorium ('house'), dressing rooms or other 'back of house' areas in the theatre; A silent fire alarm indicator, such as a strobe light; and,
A color scroller, color changer, or "scroller" is a lighting accessory used to change color gels on stage lighting instruments without the need of a person to be in the vicinity of the light. [5] It is attached in the gel frame holder on the outside of a lighting instrument, immediately in front of lens assembly.
When cue is enabled on multiple channels, a mix of these signals is heard through the cue system. Solo in place (SIP) is a related feature on advanced consoles. It typically is controlled by the cue button, but unlike cue, SIP affects the output mix; It mutes everything except the channel or channels being soloed.