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B.B. King and Muddy Waters, with the most standards on the charts at five each, [8] used electric blues-ensemble arrangements. Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk ...
All these songs use twelve-bar blues riffs, and most of these riffs probably precede the examples given (Covach 2005, p. 71). In classical music, individual musical phrases used as the basis of classical music pieces are called ostinatos or simply phrases. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...
Blues shuffle or boogie played on guitar in E major [1] (Play ⓘ). Boogie is a repetitive, swung note or shuffle rhythm, [2] "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The ...
Boogie rock is a style of blues rock music that developed in the late 1960s. [1] Its key feature is a repetitive driving rhythm, which emphasizes the groove. [1] Although inspired by earlier musical styles such as piano-based boogie-woogie, boogie rock has been described as "heavier" or "harder-edged" in its instrumental approach.
Swamp blues has a laid-back, slow tempo, and generally is a more rhythmic variation of Louisiana blues, incorporating influences from New Orleans blues, zydeco, soul music and Cajun music. [3] It is characterized by simple but effective guitar work and is influenced by the boogie patterns used on Jimmy Reed records and the work of Lightnin ...
Hill country blues (also known as North Mississippi hill country blues or North Mississippi blues) is a regional style of country blues.It is characterized by a strong emphasis on rhythm and percussion, steady guitar riffs, few chord changes, unconventional song structures, and heavy emphasis on the "groove", which has been characterized as the "hypnotic boogie".
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"Driftin' Blues" or "Drifting Blues" is a blues standard, recorded by Johnny Moore's Three Blazers in 1945. The song is a slow blues and features Charles Brown 's smooth, soulful vocals and piano. It was one of the biggest blues hits of the 1940s and "helped define the burgeoning postwar West Coast blues style". [ 1 ] "