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This theme of Alzheimer's in music would be greatly expanded from 2016 to 2019 through Kirby's final series of albums as The Caretaker, Everywhere at the End of Time. An Empty Bliss Beyond This World was the Caretaker's breakthrough album, garnering critical acclaim upon its release and earning several year-end accolades.
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The Caretaker was a long-running project by English ambient musician, James Leyland Kirby (born 9 May 1974). His work as the Caretaker is characterized as exploring memory and its gradual deterioration, nostalgia, and melancholia. [1]
Everywhere at the End of Time [a] (commonly shortened to EATEOT) is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of dementia and related neurological conditions.
Everywhere, an Empty Bliss (stylized as “Everywhere, an empty bliss”) is the twelfth release by the Caretaker, an alias of English musician Leyland Kirby.Released on February 26, 2019, the record is compiled from archived tracks that were meant to be used on the Caretaker's albums.
The album is regarded as Kirby's best album of his haunted ballroom trilogy. [12] Along with Selected Memories from the Haunted Ballroom and Persistent Repetition of Phrases , A Stairway to the Stars is one of Kirby's most praised early records as the Caretaker.
SPOILER WARNING: This story discusses minor plot details for “Mufasa: The Lion King,” now in theaters. Lin-Manuel Miranda and composer Dave Metzger both knew the mighty musical legacy they had ...
Selected Memories from the Haunted Ballroom is the debut studio album by the Caretaker, an alias of musician Leyland Kirby.Released in 1999, it consists of an influence from the horror film The Shining, manipulating songs from the 1920s to resemble the film's music.