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Urban Azmaris of the 90s, various artists (1998) Éthiopiques Volume 3: Golden Years of Modern Ethiopian Music, various artists (1998) Éthiopiques Volume 4: Ethio Jazz & Musique Instrumentale, 1969–1974, Mulatu Astatke (1999) Éthiopiques Volume 5: Tigrigna Music, various artists (1999) Éthiopiques Volume 6: Almaz, Mahmoud Ahmed
The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe.
Elias Melka Geresu ኤሊያስ መልካ ገረሱ (10 December 1977 – 4 October 2019) was an Ethiopian record producer and songwriter. Elias became popular after successfully composing Teddy Afro's debut album Abugida, which was released in 2001.
Combining traditional music with modern one, the Ethiopian hip hop usually sung in Amharic language. Teddy Yo and Lij Michael often credited as the pioneer of the genre. [4] Addis Ababa is the regional and cultural scene of Ethiopian hip hop music with pioneering artists citing their influences such as Tupac, Eminem, Jay-Z and LL Cool J ...
The Ethiopian traditional music embodied with strong oral-literature style. In this case, the traditional music is played by local entertainers called azmaris. Music in Ethiopia was originated, as part of Christian religious service during Yared-era in the 6th century. Muslim form called manzuma also developed in Harar and Jimma. [1]
Complex rhythms: Ethiopian music is known for its intricate rhythmic patterns, as with the case for many African music, often featuring irregular meters and syncopation. Vocal styles: Traditional Ethiopian singing includes a variety of vocal techniques, such as melismatic, ornamentation, vocal slides, and call-and-response structures. In terms ...
Hailu Mergia was born in 1946 in the Shewa Province of the Ethiopian Empire and moved to Addis Ababa at age 10. [2] He grew up on traditional Oromo, Amhara and Tigrinya songbook melodies, and taught himself the accordion at age 14. [3] In 1952, when he was 14, he dropped out of high school and joined the army music department to support his family.
His mastering of the accordion, as well as the keyboard and his talent for "re-purposing folk songs into funkier modern melodies," defined his contribution to popular music in Ethiopia. [2] In the 1970s, Hailu Mergia was the keyboardist in the Walias Band , an Ethiopian jazz and funk band with a hard polyrhythmic funk sound influenced by ...