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Vishu Bhatnagar better known by his stage name Kumar Vishu is an Indian devotional playback singer whose songs have been featured primarily in Hindi devotional movies and television serials. He has sung more than 200 devotional albums with the leading singers of India and major records labels of India including T-Series , HMV , Venus, Sonotek ...
A Bhajan may be sung individually, but more commonly together as a choral event wherein the lyrics include religious or spiritual themes in the local language. [1] [4] Bhajans often describe loving devotion to a deity, legends from the Epics or the Puranas, compositions of Bhakti movement saints, or spiritual themes from Hindu scriptures. [21]
Thumak Chalat Ram Chandra is a bhajan (Hindu devotional song) written in the 16th century by the poet Goswami Tulsidas. The bhajan glorifies Shri Rama and his characteristics during the childhood. [1] Shri Tulsidasji describes Lord Rama's eyes, ears, and ornaments.
Many bhajans feature several names and aspects of the chosen deity, especially in the case of Hindu sahasranamas, which list a divinity's 1008 names. Great importance is attributed to the singing of bhajans with Bhakti, i.e. loving devotion. "Rasanam Lakshanam Bhajanam" means the act by which we feel more closer to our inner self or God, is a ...
[8] [9] Nama Ramayana is a devotional song in Sanskrit, [10] [11] which narrates the Ramayana through the chanting of the many names of Rama. [12] It has 108 verses, commencing with "Shuddha Brahma Paratpara Rama" and each of its lines ending with 'Rama' [ 13 ] [ 14 ] [ 15 ] – only some versions contain the verse "Raghupati Raghava Raja Ram ...
Filmi devotional songs (or filmi bhajans) are devotional songs from Hindi movies, or Hindi songs composed to be sung using the melody in a popular filmi song.. While most of these songs relate to Hinduism, often many of the devotional songs are general, and can prove acceptable to followers of other faiths as well.
As a genre of religious performance art, it developed in the Indian bhakti movements as a devotional religious practice (i.e. bhakti yoga). [20] But it is a heterogeneous practice that varies regionally, according to Christian Novetzke , and includes varying mixtures of musical instruments, dance, oration, theatre, audience participation, and ...
When that wisdom (vignyana) is integrated with life and issues out in action, it becomes devotion (bhakti). Knowledge (jnana) which has become mature is spoken of as devotion (bhakti). If it does not get transformed into devotion (bhakti), such knowledge (jnana) is useless tinsel." [4]
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