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The piano concerto has a duration of roughly 30 minutes and is written in three connected sections. It was composed between 2011 and 2012, and was Lindberg's fourth and final commission for the New York Philharmonic as its composer-in-residence. Lindberg has cited Maurice Ravel's Piano Concerto for the Left Hand as inspiration for the piece. [3]
Piano Concerto No. 2 This page was last edited on 1 December 2024, at 14:29 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
Piano Concerto No. 10 (Mozart) P. Concerto for Two Pianos and Orchestra (Poulenc) Piano Concerto No. 6 (Prokofiev) R. Ricercare Concertante (Llácer Pla) V.
Piano Concerto No. 2 refers to the second piano concerto written by one of a number of composers: Piano Concerto No. 2 (Bartók) in G major Piano Concerto No. 2 (Beethoven) in B-flat major
This concerto is one single, long movement, divided into six sections that are connected by transformations of several themes: . Adagio sostenuto assai The key musical idea of this concerto is first heard in the first clarinet, accompanied by no more than four other woodwinds: a sequence of two chords—an A major chord with a C ♯ on top, then a dominant seventh on F ♮.
The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninoff between June 1900 and April 1901. The piece established his fame as a concerto composer and is one of his most enduringly popular pieces.
Unusually for Mendelssohn, who often produced his compositions quickly, the Second Piano Concerto took him a great deal of effort. [2] Its genesis dates to the period shortly after his marriage and is first mentioned in a letter to his friend Karl Klingemann [] while on honeymoon: "aber ein Konzert machte ich mir so gern für England, und kann immer noch nicht dazu kommen.
Villa-Lobos composed his Second Piano Concerto in Rio de Janeiro in 1948. The score is dedicated to João de Souza Lima [pt; de; ru], who gave the first performance on 21 April 1950 at the Theatro Municipal in Rio de Janeiro, with the Orquestra Sinfônica do Theatro Municipal, conducted by the composer.