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Piano Concerto No. 10 (Mozart) P. Concerto for Two Pianos and Orchestra (Poulenc) Piano Concerto No. 6 (Prokofiev) R. Ricercare Concertante (Llácer Pla) V.
The Piano Concerto No. 2 in F minor, Op. 21, is a piano concerto composed by Frédéric Chopin in fall 1829. Chopin composed the piece before he had finished his formal education, at around 20 years of age. It was first performed on 17 March 1830, in Warsaw, Poland, with the composer as soloist.
The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninoff between June 1900 and April 1901. The piece established his fame as a concerto composer and is one of his most enduringly popular pieces.
This concerto is one single, long movement, divided into six sections that are connected by transformations of several themes: . Adagio sostenuto assai The key musical idea of this concerto is first heard in the first clarinet, accompanied by no more than four other woodwinds: a sequence of two chords—an A major chord with a C ♯ on top, then a dominant seventh on F ♮.
Piano Concerto No. 2 This page was last edited on 1 December 2024, at 14:29 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
The piano concerto has a duration of roughly 30 minutes and is written in three connected sections. It was composed between 2011 and 2012, and was Lindberg's fourth and final commission for the New York Philharmonic as its composer-in-residence. Lindberg has cited Maurice Ravel's Piano Concerto for the Left Hand as inspiration for the piece. [3]
The piano starts off solo with a simple melody with accompanying chords in the left hand, and the strings and woodwinds soon join in the peaceful repose. The piano exchanges dialogues with different instruments of the orchestra , but the music soon becomes agitated, leading into a central toccata -like episode, the music sometimes harsh ...
Unusually for Mendelssohn, who often produced his compositions quickly, the Second Piano Concerto took him a great deal of effort. [2] Its genesis dates to the period shortly after his marriage and is first mentioned in a letter to his friend Karl Klingemann [] while on honeymoon: "aber ein Konzert machte ich mir so gern für England, und kann immer noch nicht dazu kommen.