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Swan, inspiration for Saint-Saëns' piece Le cygne "Le cygne", pronounced [lə siɲ], or "The Swan", is the 13th and penultimate movement of The Carnival of the Animals by Camille Saint-Saëns. Originally scored for solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello ...
Momo Duo for violin and viola (1991) Music for viola, winds and percussion (1971); Okra Music Corporation; Seesaw Music Corporation 2 Pieces for viola and piano (ca. 1992) The Place of Blue Flowers for narrator and viola Pops Wedding Music for violin and viola (ca. 1994–1995) A Prayer for alto, viola and piano (ca. 1983) Prelude for viola and ...
Reviewing the world premiere, Zoë Madonna of The Boston Globe highly praised the concerto, writing, "Gubaidulina here imbued the element of breath into every instrument. . The sound of the bayan appeared with a dark major seventh dyad, and low swells of sound rolled from the basses and tuba, introducing ascending intervals in the solo cello and violin and subtle dynamic arcs in the strin
Concerto for Violin, Cello and Orchestra, Op. 68 (1971) Frederick Delius. Double Concerto for Violin, Cello and Orchestra (1915–16) Edison Denisov. Concerto for bassoon, cello and orchestra (1982) Gaetano Donizetti. Double Concerto for Violin, Cello and Orchestra in D minor; Tan Dun. Secret Land for Orchestra and Twelve Violoncellos (2004 ...
Sonata for cello and organ, op. 36; Max Reger. Aria, from Suite for violin and piano in A major, Op. 103a; Josef Rheinberger. Abendlied, No. 3 from Geistliche Gesänge, Op. 69 (originally for choir SSATTB) 3 Pièces, from 6 Pièces for violin and organ, op. 150; Dominique Rivolta Mélodie transmutée; Daniel Roth
Violin sonata No. 1, Op. 78 in G major Rain (1878–79), transcribed for cello by Paul Klengel; Violin Sonata No. 2, Op. 100 in A major (1886), transcribed for cello by Laszlo Varga; Violin Sonata No. 3, Op. 108 in D minor (1886–88), transcribed for cello by Laszlo Varga; Charlotte Bray. Perseus (2015) Frank Bridge. Elegy, H.47 (1904) Two ...
A chord plays as a swan, the symbol for Swanwhite's dead mother, flies past. [1] Act 2. IV. Lento assai A harp is imitated by strings using pizzicato. Later on, when Sibelius compiled the Swanwhite suite, he added a part for an actual harp. [2] V. Adagio A chord plays as a swan, the symbol for Swanwhite's dead mother, flies past. [1] VI.
A photograph of the 1915 cover of the sheet music of the sonata for cello and piano; Performance of Cello Sonata by David Requiro (cello) and Elizabeth DeMio (piano) from the Isabella Stewart Gardner Museum in MP3 format "Paris: Debussy and Ravel – Professor Christopher Hogwood CBE (Discussion and performance of the Sonata)".