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The painting depicts the biblical event in which Jesus calmed the storm on the Sea of Galilee, as is described in the fourth chapter of the Gospel of Mark. [1] It is Rembrandt's only seascape. [2] Storm op het Meer van Galilea Leven van Christus, print by Adriaen Collaert after a design by Maerten de Vos
The Storm on the Sea of Galilee by Rembrandt, 1632. Calming the storm is one of the miracles of Jesus in the Gospels, reported in Matthew 8:23–27, Mark 4:35–41, and Luke 8:22–25 (the Synoptic Gospels). This episode is distinct from Jesus' walk on water, which also involves a boat on the lake and appears later in the narrative.
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Rembrandt and workshop. Companion piece to 132b Portrait of Petronella Buys: 1635: Oil on panel: 78.8 x 65.3: Leiden Collection, New York: 132b: Rembrandt and workshop. Companion piece to 132a Portrait of a Man in a Slouched Hat and Bandoleer: 1635: Oil on canvas: 78.5 x 65.7: Kawamura Memorial DIC Museum of Art, Sakura: 133a: Rembrandt and/or ...
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 35.
The Three Crosses is a 1653 print in etching and drypoint by the Dutch artist Rembrandt van Rijn, which depicts the crucifixion of Jesus Christ.Most of his prints are mainly in etching and this one is a drypoint with burin adjustments from the third state onwards. [1]
Inscribed Rembrandt f. 1634 Bearded Old Man: 1634?? Royal library, the Hague: Inscribed on pasted strip: Een vroom gemoet acht eer voor goet / Rembrandt / Amsterdam. 1634 Jesus and his Disciples: 1634: Brown pen, gray brush, brown brush, black chalk, red chalk, green chalk, black pen: 35.7 x 47.8 cm: Teylers Museum, Haarlem: Inscribed Rembrandt ...
Christ on the Cross is a 1631 oil-on-canvas painting by Rembrandt, now in the Église Saint-Vincent in the French town of Le Mas-d'Agenais, Lot-et-Garonne.. The inventory of Catharina Elisabeth Bode was made in Delft on 27 October 1703—she was the widow of Valerius Röver.
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