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One of the primary elements in house dancing is "the jack" or "jacking" — a style created in the early days of Chicago house that left its trace in numerous record titles such as "Time to Jack" by Chip E. from the "Jack Trax" EP (1985), "Jack’n the House" (1985) by Farley "Jackmaster" Funk (1985) or "Jack Your Body" by Steve "Silk" Hurley ...
Admission was five dollars and the club offered free juice and water to dancers. In the middle floor is where DJ Knuckles began to experiment with editing disco breaks on a reel-to-tape recorder. This mixing would soon become the beginnings of the house music genre. [5] The Warehouse became a hub for the people of Chicago, specifically black ...
Disco Demolition Night was a Major League Baseball (MLB) promotion on Thursday, July 12, 1979, at Comiskey Park in Chicago, Illinois, that ended in a riot.At the climax of the event, a crate filled with disco records was blown up on the field between games of the twi-night doubleheader between the Chicago White Sox and the Detroit Tigers.
Robert Owens (born August 17, 1961) is an American songwriter, record producer, DJ and singer, best known for his work with the Chicago house group Fingers Inc. in the mid-1980s. [1] As a solo artist, he has placed several songs on the Hot Dance Music/Club Play chart, two of which hit number-one: "I'll Be Your Friend" (1992), and "Mine to Give ...
Vince was able to create a way for anybody to use loops to create new and improved house music. Vince when interviewed, expressed his hope that the tool set would help foster a new generation of house music makers and fans. He also expressed how he thought this would bring the house music genre out of the underground into the mainstream. [7] [17]
Paul Leighton Johnson (January 11, 1971 – August 4, 2021) was an American house disc jockey and record producer. He was known for his self-taught DJ style of house music, mentoring and inspiring younger producers, and for a series of singles, including his 1999 worldwide hit single "Get Get Down".
"All That Jazz" is a song from the 1975 musical Chicago.It has music by John Kander and lyrics by Fred Ebb, and is the opening song of the musical.The title of the 1979 film, starring Roy Scheider as a character strongly resembling choreographer/stage and film director Bob Fosse, is derived from the song.
Hi-NRG (pronounced "high energy") [2] is a genre of uptempo disco or electronic dance music (EDM) that originated during the late 1970s and early 1980s.. As a music genre, typified by its fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene.