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A gelatin silver print is composed of four layers: paper base, baryta, gelatin binder, and a protective gelatin layer or overcoat. The multi-layer structure of the gelatin silver print and the sensitivity of the silver imaging salts require specialized coating equipment and fastidious manufacturing technique to produce a consistent product that ...
Currently, the standard analog photographic printing process for black-and-white photographs is the gelatin silver process. [1] Standard digital processes include the pigment print, and digital laser exposures on traditional color photographic paper. [citation needed] Alternative processes often overlap with historical, or non-silver processes.
Collotype is a gelatin-based photographic printing process invented by Alphonse Poitevin in 1855 to print images in a wide variety of tones without the need for halftone screens. [1] [2] The majority of collotypes were produced between the 1870s and 1920s. [3] It was the first form of photolithography. [4]
Gelatin is used as a binder in match heads [39] and sandpaper. [40] Cosmetics may contain a non-gelling variant of gelatin under the name hydrolyzed collagen (hydrolysate). Gelatin was first used as an external surface sizing for paper in 1337 and continued as a dominant sizing agent of all European papers through the mid-nineteenth century. [41]
Grete Stern, Sueño No. 28: Love without Illusion, 1951, gelatin silver print. Collage made from photographs, or parts of photographs, is called photomontage. Photomontage is the process (and result) of making a composite photograph by cutting and joining a number of other photographs.
The silver halide is actually being 'peptized' by the gelatin. The type and quantity of gelatin used influences the final emulsion's properties. A pH buffer , crystal habit modifier, metal dopants, ripener, ripening restrainer, surfactants , defoamer, emulsion stabilizer and biocide are also used in emulsion making.
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Effective fixing and washing removes all unexposed silver salts and leaves only a small amount of residual fixer. Any significant quantity of fixer (thiosulphate) left in the print after washing will cause the image to deteriorate over time. Many other factors play a critical role in the long-term stability of gelatin silver prints.
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