Search results
Results from the WOW.Com Content Network
Urine deflector in a corner of the Priory Gatehouse in Great Malvern. A urine deflector is a device for deflecting the stream of urine during urination.These may be part of a chamber pot, latrine or toilet intended for the purpose, or they may be deterrents, installed in the sides or corners of buildings to discourage their casual use as urinals by passers-by.
The Camden bench received criticism as being a prime example of a wider trend of urban design that is anti-homeless, known as hostile architecture. [6] Critics claim it is emblematic of a society where freedom in public space has been curtailed and deviance from accepted forms of behaviour has been made impossible. [7]
The Society for the Protection of Ancient Buildings (SPAB) (also known as Anti-Scrape) [1] is an amenity society founded by William Morris, Philip Webb, and others in 1877 to oppose the destructive 'restoration' of ancient buildings occurring in Victorian England.
These floors were used in the hallways of some temples and palaces, the most famous example being Nijō Castle, in Kyoto, Japan. Dry boards naturally creak under pressure, but these floors were built in a way that the flooring nails rub against a jacket or clamp, causing chirping noises. It is unclear if the design was initially intentional.
Alemannisch; Аԥсшәа; العربية; Azərbaycanca; تۆرکجه; বাংলা; 閩南語 / Bân-lâm-gú; Башҡортса; Беларуская ...
Title page of an Amadís de Gaula romance of 1533. A knight-errant [1] (or knight errant [2]) is a figure of medieval chivalric romance literature.The adjective errant (meaning "wandering, roving") indicates how the knight-errant would wander the land in search of adventures to prove his chivalric virtues, either in knightly duels (pas d'armes) or in some other pursuit of courtly love.
The style originated with Michael Webb's 1957 student project for a Furniture Manufacturers Association building in High Wycombe. [2] [3] [4] Webb coined the term in response to a comment on his design by Sir Nikolaus Pevsner in a 1961 lecture, in which he recalled hearing the words: "within the schools there are some disturbing trends; I saw the other day a design for a building that looked ...
Anti-monumentalism (or counter-monumentalism) is a tendency in contemporary art that intentionally challenges every aspect (form, subject, meaning, etc.) of traditional public monuments. It has been defined as art designed "not to uphold but negate sacred values". [ 1 ]