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Young Italian men wear brimless caps, The Betrothal, c. 1470 [1] As Europe continued to grow more prosperous, the urban middle classes, skilled workers, began to wear more complex clothes that followed, at a distance, the fashions set by the elites. It is in this time period that fashion took on a temporal aspect.
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period.
A dressing gown or a housecoat is a loose, open-fronted gown closed with a fabric belt that is put on over nightwear on rising from bed, or, less commonly today, worn over some day clothes when partially dressed or undressed in the morning or evening (for example, over a man's shirt and trousers without jacket and tie).
A bathrobe is considered to be very informal clothing, and is not worn with everyday clothes. A bathrobe is a dressing gown made from towelling or other absorbent fabric and may be donned while the wearer's body is wet, serving both as a towel and a body covering when there is no immediate need to fully dress.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485.. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierar
In Kirk Wong's 1988 gangster film Gunmen, set in 1930s Shanghai, the protagonist wears a flowing Chinese robe similar to Leone's dusters. [6] Director John Woo's 1986 A Better Tomorrow, featured Chow Yun Fat's character, nicknamed Brother Mark, wearing a duster. Following the film's release, many teenagers in Hong Kong came to wear dusters in ...
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