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In writing this poem, Frost was inspired by his childhood experience with swinging on birches, which was a popular game for children in rural areas of New England during the time. Frost's own children were avid "birch swingers", as demonstrated by a selection from his daughter Lesley's journal: "On the way home, i climbed up a high birch and ...
The poem, four lines describing a woman alone at night, is one of the best-known surviving pieces of Greek lyric poetry. [2] Long thought to have been composed by Sappho, it is one of the most frequently translated and adapted of the works ascribed to her.
In 1990 Dutch composer Jurriaan Andriessen set the poem to a mixed chamber choir setting. Rufus Wainwright's "Sonnet 43", the sixth track on his album All Days Are Nights: Songs for Lulu (2010), is a musical setting of the sonnet. In 2004 Flemish composer Ludo Claesen set this poem to a setting for chamber music (flute, piano and soprano-solo).
It was one of twelve poems in the first edition of Leaves of Grass. [4] Whitman revised the poem heavily; by the last edition of Leaves of Grass, the poem was changed from its original form to an extent that was unmatched by any other of Whitman's poems. [4] The poem was untitled before 1855, taking the name "I wander all night" from the first ...
"Sleep and Poetry" (1816) is a poem by the English Romantic poet John Keats.It was started late one evening while staying the night at Leigh Hunt's cottage. [citation needed] It is often cited [by whom?] as a clear example of Keats's bower-centric poetry, yet it contains lines that make such a simplistic reading problematic, [clarification needed] such as: "First the realm I'll pass/Of Flora ...
"I Wandered Lonely as a Cloud" (also sometimes called "Daffodils" [2]) is a lyric poem by William Wordsworth. [3] It is one of his most popular, and was inspired by an encounter on 15 April 1802 during a walk with his younger sister Dorothy, when they saw a "long belt" of daffodils on the shore of Ullswater in the English Lake District. [4]
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The Face upon the Barroom Floor", aka "The Face on the Floor" and "The Face on the Barroom Floor", is a poem originally written by the poet John Henry Titus in 1872. A later version was adapted from the Titus poem by Hugh Antoine d'Arcy in 1887 and first published in the New York Dispatch .