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Technopoly: The Surrender of Culture to Technology is a book by Neil Postman published in 1992 that describes the development and characteristics of a "technopoly". He defines a technopoly as a society in which technology is deified, meaning “the culture seeks its authorisation in technology, finds its satisfactions in technology, and takes its orders from technology”.
Neil Postman (March 8, 1931 – October 5, 2003) was an American author, educator, media theorist and cultural critic, who eschewed digital technology, including personal computers, mobile devices, and cruise control in cars, and was critical of uses of technology, such as personal computers in school. [1]
Postman, Neil (1992) Technopoly: the Surrender of Culture to Technology Knopf, New York, ISBN 0-394-58272-1; Pynchon, Thomas (28 October 1984). "Is It O.K. To Be A Luddite?". The New York Times. Quigley, Peter (1998) Coyote in the Maze: Tracking Edward Abbey in a World of Words University of Utah Press, Salt Lake City, ISBN 0-87480-563-5
Criticism of technology is an analysis of adverse impacts of industrial and digital technologies. It is argued that, in all advanced industrial societies (not necessarily only capitalist ones), technology becomes a means of domination, control, and exploitation, [ 1 ] or more generally something which threatens the survival of humanity.
The idea that because a technology has been created, that there is an autonomous self-evolution of that technology. Ex: “Cell phones gave rise to smartphones” Technological Imperative: The assumption that because we have developed a technology we must inherently use it, or will use it whether people prefer to or not. Ex: Although social ...
Blacksmith at work, Nuremberg c. 1606 The anthropology of technology (AoT) is a unique, diverse, and growing field of study that bears much in common with kindred developments in the sociology and history of technology: first, a growing refusal to view the role of technology in human societies as the irreversible and predetermined consequence of a given technology's putative "inner logic"; and ...
The Technocultural Studies major program is an interdisciplinary integration of current research in cultural history and theory with innovative hands-on production in digital media and "low-tech". It focuses on the fine and performing arts, media arts, community media, literature and cultural studies as they relate to technology and science.
Technology, society and life or technology and culture refers to the inter-dependency, co-dependence, co-influence, and co-production of technology and society upon one another. Evidence for this synergy has been found since humanity first started using simple tools.