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Barramundi, known as "Deshi Bhetki" (Bengali : দেশি ভেটকি) are also called "Koral" (Bengali: কোরাল) is a popular fish among Bengali people, mainly served in festivities such as marriages and other important social events.
Pandu Havaldar (transl. Constable Pandu) is a 1975 Indian Marathi-language comedy film directed and produced by Dada Kondke under the banner of Sadichha Chitra. The film's story, screenplay and dialogues was written by Rajesh Majumdar.
A brave and naughty boy named 'Gopi' goes to the old man's hut to tease the old man but sees the sad emotions in his eyes and returns home. One day when Gopi is trying to catch a fish near the river, he slips and falls in the river.After some time he wakes up unconsciously lying on the river bank.He remembers he was saved by Kishu.
Taani is a 2013 Indian Marathi-language drama film directed by Sanjiv Kolte, also provided screenplay and dialogues. It is produced by Vandana Patke Thakur and Ajay Thakur. [1] The film features Arun Nalawade, Ketaki Mategaonkar, Vatsala Ambone and Vilas Ujawane. Music is composed by Pravin Kunwar.
Raundal is a 2023 Indian Marathi-language action drama film directed by Gajanan Nana Padol [2] and produced by Bhoomika Films and Entertainment in association with Rise Entertainment. [3] The music is composed by Harsshit Abhiraj, while background score is by Rohit Nagbhide.
Jatra is a 2005 Indian Marathi-language comedy film directed and written by Kedar Shinde. [2] The music was composed by the duo Ajay–Atul, and features the songs "Kombadi Palali" and "Ye Go Ye Ye Maina", the melodies of which were repurposed for "Chikni Chameli" and "Mera Naam Mary Hai" from the Hindi films Agneepath and Brothers respectively; both films were remakes directed by Karan ...
Sangtye Aika [a] (transl. Listen, I'll Tell You) [1] is an Indian Marathi-language drama film directed and produced by Anant Mane, from a screenplay Vyankatesh Madgulkar, featured Jayshree Gadkar, Dada Salvi, Chandrakant, Suryakant, Hansa Wadkar, Sulochana Latkar, Vasant Shinde.
[3] [4] It was the debut of Kondke's own kind of ribald comedy, vaguely borrowed from tamasha, with a seductive heroine, an innocent but bumbling hero, and dialogue full of innuendo and sexual puns. [1] The cinematography was handled by Arvind Lad and editing was provided by N. S. Vaidya. In addition, the soundtrack was composed by Ram Kadam. [5]