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List of free Japanese fonts; List of free Korean fonts; Free Chinese Font; Free Japanese Font; Free Korean Fonts; Arphic Public License: a free font, licensed by Arphic Technology (in Chinese) 免费中文字体 (in Chinese) 適用於 GNU/Linux 的字型; Japanese Fonts on OSDN; CJKV Fonts on ArchWiki; Maoken.com, Free Chinese Fonts list
The Free UCS Outline Fonts [1] (also known as freefont) is a font collection project. The project was started by Primož Peterlin and is currently administered by Steve White. The aim of this project has been to produce a package of fonts by collecting existing free fonts and special donations, to support as many Unicode characters as possible.
Samples of Calligraphic Script typefaces Typeface name Example 1 Example 2 Example 3 American Scribe: AMS Euler Designer: Hermann Zapf, Donald Knuth Apple Chancery Designer: Kris Holmes
GNU FreeFont (also known as Free UCS Outline Fonts) is a family of free OpenType, TrueType and WOFF vector fonts, implementing as much of the Universal Character Set (UCS) as possible, aside from the very large CJK Asian character set. The project was initiated in 2002 by Primož Peterlin and is now maintained by Steve White.
The Nanum fonts (Korean: 나눔글꼴; RR: Nanum Geulkkol) is a series of open source unicode fonts designed for the Korean language, designed by Sandoll Communications and Fontrix (Korean: 폰트릭스).
A wonton font (also known as Chinese, chopstick, chop suey, [1] or kung-fu) is a mimicry typeface with a visual style intended to express an East Asian, or more specifically, Chinese typographic sense of aestheticism. Styled to mimic the brush strokes used in Chinese characters, wonton fonts often convey a sense of Orientalism. In modern times ...
Lucida (pronunciation: / ˈ l uː s ɪ d ə / [2]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).
To mimic his writing, many alternate characters are needed. While this style was once very popular in printing the Greek alphabet , it is no longer used due to its complexity. Script typefaces place particular demands on printing technology if the letters are intended to join up and vary like handwriting.
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