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Christian Horneman's miniature portrait of Ludwig van Beethoven (1802).. In Denmark, Cornelius Høyer specialized in miniature painting (often 40 mm × 30 mm or approximately 1-1.5 inches, or in many case, oval or round in shape) in the second half of the 18th century and was appointed Miniature Painter to the Danish Court in 1769.
Eye miniatures or Lovers' eyes were Georgian miniatures, normally watercolour on ivory, depicting the eye or eyes of a spouse, loved one or child. These were usually commissioned for sentimental reasons and were often worn as bracelets, brooches, pendants or rings with richly decorated frames, serving the same emotional need as lockets hiding portraits or locks of hair.
She was one of the third generation of artists in the family; both her grandfathers, Henry Hobson and James Hardy, were also artists. Mabel's siblings were also employed as artists: Henry Hope Hobson as a draftsman, Amy Elizabeth Hobson as a portrait painter, and Cecil James Hobson also as a painter of miniature portraits in watercolour. [1] [2]
Modern miniature painting respects many of the principles originally set by Hilliard. [14] When the Society was founded, the maximum size for a miniature was 12 by 10 inches. Today, the permitted size varies depending on shape and medium, but paintings (including frame and mount) should have a diameter of no more than 4.5 inches.
Miniature art includes paintings, engravings and sculptures that are very small; it has a long history that dates back to prehistory. The portrait miniature is the most common form in recent centuries, and from ancient times, engraved gems , often used as impression seals , and cylinder seals in various materials were very important.
In the US and Britain, the tradition of preserving miniature paintings in a wooden case covered with leather or paper stamped with a relief pattern continued through to the daguerreotype. Some daguerreotypists were portrait artists who also offered miniature portraits. Black-lacquered cases ornamented with inset mother of pearl were sometimes ...
Richard Cosway RA (5 November 1742 – 4 July 1821) was a leading English portrait painter of the Georgian and Regency era, noted for his miniatures. He was a contemporary of John Smart, George Engleheart, William Wood, and Richard Crosse. He befriended fellow Freemason and Swedenborgians William Blake and Chevalier d'Éon.
He possessed a great knowledge of anatomy, and his portraits are drawn with greater anatomical accuracy and possess more distinction than those of any miniature painter of his time. [3] The most important collection of Smart's work was given by John W. and Martha Jane Phillips Starr to the Nelson-Atkins Museum of Art. The Starr collection ...
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