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Christian Horneman's miniature portrait of Ludwig van Beethoven (1802).. In Denmark, Cornelius Høyer specialized in miniature painting (often 40 mm × 30 mm or approximately 1-1.5 inches, or in many case, oval or round in shape) in the second half of the 18th century and was appointed Miniature Painter to the Danish Court in 1769.
Modern miniature painting respects many of the principles originally set by Hilliard. [14] When the Society was founded, the maximum size for a miniature was 12 by 10 inches. Today, the permitted size varies depending on shape and medium, but paintings (including frame and mount) should have a diameter of no more than 4.5 inches.
Robertson created a new style of miniature portrait that became dominant by the middle of the nineteenth century; at least four examples are held in the Victoria and Albert Museum. [3] He broke with previous styles, particularly the work of Richard Cosway , and was critical of these earlier painters, describing their works as 'pretty things but ...
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Willard Morse Mitchell (February 14, 1879 – June 15, 1955) was a Canadian artist and architect best known for his miniature watercolour paintings. They were mostly nature scenes. He was born in Saint John, New Brunswick, being the youngest of six children. He attended Rothesay Collegiate and later studied art and architecture in Saint John.
He possessed a great knowledge of anatomy, and his portraits are drawn with greater anatomical accuracy and possess more distinction than those of any miniature painter of his time. [3] The most important collection of Smart's work was given by John W. and Martha Jane Phillips Starr to the Nelson-Atkins Museum of Art. The Starr collection ...
Eye miniatures or Lovers' eyes were Georgian miniatures, normally watercolour on ivory, depicting the eye or eyes of a spouse, loved one or child. These were usually commissioned for sentimental reasons and were often worn as bracelets, brooches, pendants or rings with richly decorated frames, serving the same emotional need as lockets hiding portraits or locks of hair.
At the outset of his painting career Peale painted portraits and still-life, and by the mid-1780s had established his reputation. At about this time, however, Charles turned over his own miniature portrait practice to him, and throughout the 1790s and early 19th century Peale devoted himself to miniature painting.
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