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The theory of anxiety of influence is a theory applied principally to early nineteenth century romantic poetry. Its author, Harold Bloom, maintains that the theory has general applicability to the study of literary tradition, ranging from Homer and the Bible to Thomas Pynchon and Anne Carson in the 20th and 21st century.
Use these inspiring words to help you on your recovery journey.
Sylvia Plath. The Sylvia Plath effect is the phenomenon that poets are more susceptible to mental illness than other creative writers. The term was coined in 2001 by psychologist James C. Kaufman, and implications and possibilities for future research are discussed. [1]
Books say: she did this because. Life says: she did this. Books are where things are explained to you; life is where things aren’t. I’m not surprised some people prefer books.
He became a public figure during his run for office, calling for hope and change rather than hate and hiding with many — now famous — Harvey Milk quotes. In many ways, he was the first openly ...
[8] [3] [2] [4] Many different sources of meaning are discussed in the academic literature. Discovering such a source for oneself is often key to resolving an existential crisis. The sources discussed in the literature can be divided into altruism, dedication to a cause, creativity, hedonism, self-actualization, and finding the right attitude. [4]
The book began with quotations originally in English, arranged them chronologically by author; Geoffrey Chaucer was the first entry and Mary Frances Butts the last. The quotes were chiefly from literary sources. A "miscellaneous" section followed, including quotations in English from politicians and scientists, such as "fifty-four forty or fight!".
A classic reference to hope which has entered modern language is the concept that "Hope springs eternal" taken from Alexander Pope's Essay on Man, the phrase reading "Hope springs eternal in the human breast, Man never is, but always to be blest:" [41] Another popular reference, "Hope is the thing with feathers," is from a poem by Emily Dickinson.