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"Silhouette" (Japanese: シルエット) is a song by Japanese rock band Kana-Boon. It was released as the band's fifth major-label single, released on November 26, 2014 through Ki/oon Music. The single placed 11th on the Oricon charts. [1] "Silhouette" was used as the sixteenth opening theme song for the anime television series Naruto ...
The audiovisual content for which they are well-known is produced by Fred&Annabelle, and VYZ Team. The group's song "I've Got That Tune" was chosen by Mercedes-Benz for its promotional campaign and by the 35th French Film Festival in Hong Kong as its theme. Chinese Man Records is a record label run by the band, based in Marseille.
This is a list of the songs that topped the Global Chinese Pop Chart in 2018.. The Global Chinese Pop Chart (全球华语歌曲排行榜) is a weekly Chinese language pop music chart compiled by 7 Chinese language radio stations across Asia: Beijing Music Radio, Shanghai Eastern Broadcasting (), Radio Guangdong, Radio Television Hong Kong, Taipei Pop Radio, Singapore's Y.E.S. 93.3FM and ...
Most of us would struggle to put pants on with one hand, let alone no hands! One Chinese man, however, has mastered this unusual skill and took to YouTube to show us just how he does it, complete ...
"Learn Chinese" is the first single released from Jin's debut album The Rest Is History. The song features Wyclef Jean , who produced and co-wrote the track. At first, the song was a buzz song.
The title of the song is based on a popular slogan of the Red Guard, [1] and was used widely during the Cultural Revolution in public demonstrations and rallies. However, since the end of the Mao era, the song has become more scarcely used due to its links to Mao's pervasive personality cult. However, the instrumental version of the song is ...
Award Song or album (if available) Recipient Top 10 outstanding artists award (十大優秀流行歌手大獎) – Wakin Chau, Sammi Cheng, Jacky Cheung, Cass Phang, Ekin Cheng, Aaron Kwok, Leon Lai, Priscilla Chan, Hacken Lee, Faye Wong
The Chinese pop song "Drizzle" was composed by Li Jinhui around 1927 and sung by his daughter Li Minghui. [6] [7] [8] The song exemplifies the early shidaiqu in its fusion of jazz and Chinese folk music – the tune is in the style of a traditional pentatonic folk melody, but the instrumentation is similar to that of an American jazz orchestra. [9]