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Rhythm Is It! is a 2004 German documentary film directed by Thomas Grube and Enrique Sánchez Lansch.The film documents a project undertaken by conductor Simon Rattle and choreographer Royston Maldoom to stage a performance of Stravinsky's Le Sacre du printemps (The Rite of Spring) with a cast of 250 children recruited from Berlin's public schools.
This treatment of rhythm subsequently became so habitual for Stravinsky that, when he composed his Symphony in C in 1938–40, he found it worth observing that the first movement had no changes of meter at all (though the metrical irregularities in the third movement of the same work were amongst the most extreme in his entire output). [25]
In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter: . A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.
This has been described as 'a kind of rhythm the effect of which is determined by an accumulation of irregular, unpredictable accents in the music'. [4] The composer David Matthews describes the effect thus: "[I]t is the rhythmic freedom of the music, its joyful liberation from orthodox notions of stress and phrase length, that contributes so ...
Stravinsky's music is typically divided into three style periods: the Russian period (c. 1907–1919), the neoclassical period (c. 1920–1954), and the serial period (1954–1968). Stravinsky's Russian period is characterized by the use of Russian folk tunes and the influence of Rimsky-Korsakov, Tchaikovsky, Glazunov, and Taneyev.
Concertino by Igor Stravinsky, one measure after rehearsal mark 14 (subdivided 4+3+2). [128] "The Count of Tuscany" by Dream Theater. The verse riff is in 9 4, with a rhythm of 3+2+2+3+3+2+3 8. [143] "I Wanna Be a Movie Star" by Bill Wurtz. The main groove is in 9 4, but also includes measures in 11 4, 12 4, 13 4, 7 4, and 12 16. [144]
Media in category "Rhythm and meter" The following 3 files are in this category, out of 3 total. Nono - Variazioni canoniche, rhythmic values row.png 273 × 81; 2 KB
In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter:. A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.
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