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[12] [14] The system of clothing patterns was however established in the Han dynasty, where the types and the number of ornaments was regulated based on a person's ranks. [12] In the Sui dynasty , the twelve ornaments were reserved for the Emperor exclusively; Emperor Yang Sui established a system which defined the exact location of these ...
The design may show Ganesha, peacocks, women at work, tigers, floral motifs, etc. [3] Such paintings are also called Mandala in most of the parts of Nepal. [ citation needed ] Mandana art work from Shilpgram, Udaipur
In Qing, the yunjian became an indispensable item for women's wedding clothing, [9] and by the 19th century, it was an important central element to the Han Chinese women's celebratory clothing. [7] The yunjian worn by the Han Chinese as ceremonial clothing and for wedding was a detachable collar which was worn on top of the mang ao (i.e. the ...
Marathis of Maharashtra wear a pendant of two vati ornaments shaped like tiny bowls. The mangala sutra of the Kannadigas of Karnataka is similar to that of the Marathis, except that it usually has one vati. Nowadays many fashion-conscious families opt for lighter versions, with a single vati or a more contemporary style.
Paisley or paisley pattern is an ornamental textile design using the boteh (Persian: بته) or buta, a teardrop-shaped motif with a curved upper end. Of Persian origin, paisley designs became popular in the West in the 18th and 19th centuries, following imports of post- Mughal Empire versions of the design from India, especially in the form of ...
The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.
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