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"Burden in My Hand" is a song by the American rock band Soundgarden. Written by frontman Chris Cornell, "Burden in My Hand" was released on September 18, 1996, as the second single from the band's fifth studio album, Down on the Upside (1996). The song topped the Billboard Mainstream Rock Tracks chart, where it spent five weeks at number one.
This open C tuning was used by Soundgarden for songs including Pretty Noose, Burden in My Hand, and Head Down. Chord sequences often omit the high E string, leaving the power chord ubiquitous to Grunge music. [2]
"Burden in My Hand" was the most successful song from Down on the Upside on the rock charts, spending a total of five weeks at number one on the Mainstream Rock charts and reaching number two on the Modern Rock charts. [49] At the 1997 Grammy Awards, "Pretty Noose" received a nomination for Best Hard Rock Performance. [50]
The album spawned several singles, including "Pretty Noose", "Burden in My Hand" and "Blow Up the Outside World". Down on the Upside was notably less heavy than the group's preceding albums and marked a further departure from the band's grunge roots. Soundgarden explained at the time that it wanted to experiment with other sounds. [58]
"Blow Up the Outside World" is a song by the American rock band Soundgarden. Written by frontman Chris Cornell, "Blow Up the Outside World" was released on November 18, 1996, as the third single from the band's fifth studio album, Down on the Upside (1996).
We'd take the power chords, turn up the volume and make it heavy. "Fopp" is a good song that needed to be given its due as a "kick-ass rock song!" [ 3 ] The EP also contains a cover of the Green River song " Swallow My Pride " from the 1985 EP, Come on Down .
It had previously appeared as a B-side on some foreign copies of the band's 1996 single, "Burden in My Hand". It was released as a single in November 1997 in support of A-Sides, and was the first single released by Soundgarden, after the band's breakup in April 1997. The song peaked at number 13 on the Billboard Mainstream Rock Tracks chart.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
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