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Asha (/ ˈ ʌ ʃ ə /) or arta (/ ˈ ɑːr t ə /; Avestan: 𐬀𐬴𐬀 Aṣ̌a / Arta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right' (or 'righteousness'), 'order' and 'right working'.
The Ashem Vohu (/ ˈ ʌ ʃ ɛ m ˈ v ɔː h uː /, Avestan: 𐬀𐬴𐬆𐬨 𐬬𐬊𐬵𐬏 aṣ̌əm vohū) is the second most important manthra, and one of the most important prayers in Zoroastrianism. [1] It is dedicated to Asha, a Zoroastrian concept denoting truth, order or righteousness. [2]
This innermost core includes the 17 chapters of the Gathas, the oldest and most sacred texts of the Zoroastrian canon. Yasna 1–27.12 Yasna 27.13–27.15: three of the four of the most sacred Zoroastrian prayers Yasna 28–34: Gatha 1 Yasna 35–41: the "seven-chapter Yasna" Yasna 43–51,53: Gathas 2–5 (chapters 43–46, 47–50, 51 and 53)
Zoroastrian music is a genre of religious music that accompanies religious and traditional rites among the Zoroastrian people. Although certain ancient Zoroastrian traditions show a negative approach towards Zoroastrian melodies such as the pre-Islamic pastorals and minstrels, Zoroastrian music has been in the religion since it was founded.
This is in some ways the most interesting of all the Zoroastrian books since it presents a philosophical justification of Zoroastrian dualism in a more or less coherent form; and it further contains a detailed critique of the monotheistic creeds, Islam, Judaism, and Christianity as well as an attack on Zoroastrianism's dualistic rival ...
The Zoroastrianism of the medieval texts is unambiguous with respect to which force is the superior. Evil cannot create and is hence has a lower priority in the cosmic order (asha). According to Denkard 5.24.21a, the protection of the yazatas is ultimately greater than the power of the demons.
The most important source on the Sasanian Avesta is the Denkard, a 9th-10th century compendium of Zoroastrianism. [5] The 8th and 9th book of the Denkard give an overview of the Avesta as it was available at the time.
In the Gathas, ashi is frequently identified with asha "truth", so for instance in Yasna 51.10 where the poet calls "truth to [him], to come with good reward." The idea being expressed here is a soteriological one, with "truth" being connected to the afterlife (see asha for details) and ashi being the appropriate recompense for the soul after ...