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Rudraksha is a Sanskrit compound word consisting of "Rudra"(Sanskrit: रुद्र) referring to Shiva and "akṣa "(Sanskrit: अक्ष) meaning "eye". [5] [a] [6] Sanskrit dictionaries translate akṣa (Sanskrit: अक्ष) as eyes, [7] as do many prominent Hindus such as Sivaya Subramuniyaswami and Kamal Narayan Seetha; accordingly, rudraksha may be interpreted as meaning "Eye of ...
The physical characteristics of a rudraksha are then described. A rudraksha of the amla fruit size is the best, followed by the size of a berry and the size of the black gram, the lowest. Four types of rudraksha – white, red, yellowish, and black – are declared fit for four Varnas or castes – Brahmin, Kshatriya, Vaishya, and Shudra ...
The most common materials used for making the beads are Rudraksha seeds (used by Shaivites) and Ocimum tenuiflorum (tulasi) stems (used by Vaishnavites). [26] Shaivites believe that the Rudraksha Japa Mala [32] epitomizes ancient wisdom and mystical energies, offering seekers a conduit to inner peace and spiritual harmony. [33]
In other contexts the word rudra can simply mean 'the number eleven'. [24] The word rudraksha (Sanskrit: rudrākṣa = rudra and akṣa 'eye'), or 'eye of Rudra', is used as a name for both the berry of the rudraksha tree and a name for a string of the prayer beads made from those seeds. [24] Rudra is one of the names of Vishnu in Vishnu ...
Beads made from the fruitstones of the rudraksha tree (Elaeocarpus ganitrus) are considered sacred by Saivas, devotees of Siva, and its use is taught in the Rudrakshajabala Upanishad. It is believed that the Rudraksha Japa Mala epitomizes ancient wisdom and mystical energies, offering seekers a conduit to inner peace and spiritual harmony. [9]
The akshamala denotes a string made up of beads where each bead represents the 50 letters of the alphabet, a (अ) to ksha (क्ष), hence it is known as Akshamalika Upanishad. [3] Alternate names for rosaries, states Ernst Leumann, that appear in Jaina and Hindu texts are akshamala , akshamalika , akshasutra , rudrashamala , carcakamala and ...
The Bhasmajabala Upanishad, in a manner similar to Brihajjabala Upanishad and Akshamalika Upanishad describes Vibhuti (Bhasma) or sacred ash, and Rudraksha beads as symbols and for body art. The text describes how the ash and beads are to be produced, its application on the body.
The text also mentions Rudraksha as prayer beads. Klaus Klostermaier classifies the Brihajjabala Upanishad along with the Bhasmajabala Upanishad , the Rudrakshajabala Upanishad , the Kalagni Rudra Upanishad and the Akshamalika Upanishad as Shaiva texts that explain symbolism of rites and objects of worship in Shaivism.
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